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Performance of Medieval Monophony: Text and Image as Evidence for Musical Practice
- Performance of Medieval Monophony: Text and Image as Evidence for Musical Practice (Introduction)
Par Kristin Hoefener et Claire Taylor Jones - Self-Description and Self-Quotation in Two Trouvère Contrafact Pairs
Par Nicholas Bleisch - Dominican Sisters Together in Prayer: Reading, Praying and Singing in Portuguese Observant Reform Literature
Par Gilberto Coralejo Moiteiro - «Senhoras que cantan y no cantan caresciendo de la theorica y pratica». Musical Theory and Liturgical Practice in the Monastery of Lorvão
Par Mercedes Pérez Vidal - Foray into Unknown Performance Practices: Rubrics in Byzantine Manuscripts (14th-15th centuries) Describing the Chanting of Psalms
Par Nina-Maria Wanek - Aspects of Performance Practice and Training of the Medieval Chanter and Chantress in Byzantium: An Interdisciplinary Approach
Par Evangelia Spyrakou - Alliteration and Consonance in Aquitanian versus: Putting the Body Back into Singing
Par Eva Moreda Rodríguez - «I Did it My Way»: Emotion in the Performance of Medieval Melodies
Par Manuel Pedro Ferreira